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Basilius Besler (1561-1629) changed the world of botanical art overnight. He was a prominent botanist and apothecarist in Nuremberg, and was given the privileged task of curating the garden of Johann Konrad von Gemmingen- Prince Bishop of Eichstaedt in Bavaria.
The Prince Bishop commissioned Besler to produce a codex of all the plants growing in his garden, which was no small feat. It took Besler 16 years to complete the task, and von Gemmingen passed away shortly before it was published.
The result, however, was magnificent. Previously, botanical art had involved rather crude depictions of mostly medicinal and culinary herbs. The Hortus Eystettensis was something else entirely, comprising 367 life-sized copper engravings, which depicted 1084 different plants and represented 667 species. The layout was artistic, aesthetic, and quite modern in many ways.
The work loosely reflects the four seasons, from flowering through to fruiting stages, with the Spring and Summer sections naturally more weighty. Accompanying Latin descriptions demonstrate the extraordinary understanding of botany behind the work. Besler worked with a team of experts, including the famous Wolfgang Kilian of Augsburg.
The Hortus Eystettensis was first published in 1613, and the first edition sold 300 copies over four years. Two versions were produced, the more expensive and luxurious with hand-colouring and the other in black and white.
Copies of these prints have become rarer and rarer, as the desire for these highly aesthetic pieces increases. This set of nine would make a fantastic feature on any wall of the home.
Basilius Besler (1561-1629) changed the world of botanical art overnight. He was a prominent botanist and apothecarist in Nuremberg, and was given the privileged task of curating the garden of Johann Konrad von Gemmingen- Prince Bishop of Eichstaedt in Bavaria.
The Prince Bishop commissioned Besler to produce a codex of all the plants growing in his garden, which was no small feat. It took Besler 16 years to complete the task, and von Gemmingen passed away shortly before it was published.
The result, however, was magnificent. Previously, botanical art had involved rather crude depictions of mostly medicinal and culinary herbs. The Hortus Eystettensis was something else entirely, comprising 367 life-sized copper engravings, which depicted 1084 different plants and represented 667 species. The layout was artistic, aesthetic, and quite modern in many ways.
The work loosely reflects the four seasons, from flowering through to fruiting stages, with the Spring and Summer sections naturally more weighty. Accompanying Latin descriptions demonstrate the extraordinary understanding of botany behind the work. Besler worked with a team of experts, including the famous Wolfgang Kilian of Augsburg.
The Hortus Eystettensis was first published in 1613, and the first edition sold 300 copies over four years. Two versions were produced, the more expensive and luxurious with hand-colouring and the other in black and white.
Copies of these prints have become rarer and rarer, as the desire for these highly aesthetic pieces increases. This set of nine would make a fantastic feature on any wall of the home.
We anticipate that you will be delighted with the pieces you purchase from Lorfords. However, where necessary we offer a full refund policy. Please inform us via e-mail or telephone within 48 hours of delivery if you wish to return an item.
Returned stock must be delivered to our warehouse within 14 days, in the same condition it left us. The cost to return will be equal to the original delivery cost and will be deducted from your refund. We do not refund the original delivery cost.
We are unable to offer refunds, unless faulty, for any made to order items in our Created range.