The wishlist name can't be left blank

About The Decorative Fair...

The Decorative Fair is one of the UK's must-visit events in London for interior designers, home renovators and those with an interest in finding unique pieces.

There are over 130 specialist dealers showcasing every discipline of antiques, fine and decorative art and 20th Century design, dating from the 1700s to the 1970s.
This year's Winter Fair is from Tuesday 23rd January to Sunday 28th January, we look forward to seeing you there.

 

The T&C’s

Competition ends at midnight on Monday 22nd January 2024. Only one entry per account. Only one winner will be chosen. The winner will be contacted via email. The prize is non-transferable and non-exchangeable and no cash equivalent or alternative prize will be given. Entrants must be 18+. The winner shall receive two tickets to the first day of The Decorative Fair (Tuesday 23rd January 2024).

There is a wonderful team of people behind the scenes at Lorfords, many of which you don't get to see. What better way to introduce them than with their top picks in our Lorfords Christmas Gift Guide! From thoughtful gifts to extra seating, we're getting you ready for the festivities.

Toby Lorford, Director

Toby's top picks

Scottish Oak Daybed or Psychiatrist's Couch

Gustavian Period Bureau Cabinet

Heidi Hadfield, Accounts

Heidi's Top Picks

Exceptional Wooden Crown

Mid Century Leather Chairs

Robert Evans, Logistics Manager

Rob's Top Picks

Omersa Leather Elephant Foot Stall

19th Century Gilt Convex Mirror with Eagle Crest

 

Carly Watkins, Marketing Manager

Carly's Top Picks

Pair of French Early 19th Century Botanical Engravings

Italian Round Silver Cocktail Tray

Jane Body, Sales

Jane's Top Picks

Collection of Nine British Tree Engravings

English Mahogany Wing Armchair

Hattie Icke, Logistics

Hattie's Top Picks

Early 20th Century Jali Screen 

Large Dutch Still Life Oil on Canvas

 

Alice Hagues, Manager and Stylist

Alice's Top Picks

Set of Five Mid Century Dining Chairs

19th Century Bavarian Painted Cupboard

Piers Ingall, Sales

Piers' Top Picks

Pair of 19th Century 'Bejewelled' Candlebras

Anglo-Indian Centre Table

Tom Valentine, Sales

Tom's Top Picks

Set of Five Danish 'Uncle Harald's' Trains

Large Barley Twist Waterfall Shelves

 

Eleanor Buonaparte, Dealer Liaison and Stock Co-ordinator

Eleanor's Top Picks

Untitled - Daryl Balcombe

French 19th Century Chandelier 

Stephanie Ashby, Photographer

Steph's Top Picks

Original 1950's Route 66 Neon Café Sign

Original 1970's Gucci Light Sign

Sophie Jones, Marketing Assistant

Sophie's Top Picks

19th Century Pheasant Model 

18th Century West Country Windsor Armchair

 

David Jeens, Restorer

Dave's Top Picks

Pair of Bristol Chemist Bottles

Asprey Coromandel Humidor

Cody Roberts, Logistics

Cody's Top Picks

Swedish 20th Century Pine Desk 

French Daume Vase

Jordan Anderson, Logistics

Jordan's Top Picks

Large Mid 20th Century Terracotta Canova Lion

Louis Vuitton Suitcase

 

Chris Butterworth, Logistics

Chris' Top Picks

19th Century French Mirror

Pair of 19th Century Swedish Armchairs

As rattan enjoys another heyday, we explore the appeal of wicker furniture and how to style it in your home. Indoors or out, in small doses or entire schemes, this versatile material continues to permeate our interiors for good reason.

The rattan advantage

Rattan has been harvested throughout history in the tropical jungles of Australia, Africa, and Asia because it is both strong and malleable. A member of the palm family, this trailing vine plant takes the form of a long and thin stem that grows tall. In fact, it is very sustainable, being the quickest developing tropical wood and taking only 5-7 years to renew.

Rattan is similar to bamboo, but crucial differences make the former easier to work with. Whist the bamboo stem is hollow, rattan stems are dense through to their core. Bamboo is certainly strong, but it is more likely to crack and split under pressure. The outer core of the rattan stem is one of the hardest plant materials in the world, yet it is soft and porous inside. The ecological prowess of this plant and its pliant qualities help to explain its popularity throughout history.

Wicker throughout the ages

Rattan and steel drinks trolley, designed by Raoul Guys.

Rattan and steel drinks trolley, designed by Raoul Guys.

Talking about rattan and wicker can cause confusion. Wicker refers to the process of weaving raw materials to create an object, and it is one of the oldest methods of furniture-making. Wickerwork was integral to the formation of civilisation, from China to Egypt. Basketware was the main outlet, and beautiful examples survive from ancient communities. The Egyptian craft inspired the Romans, who adopted wicker as their own and spread it throughout their Empire. In these early stages, wickerwork in lots of countries often relied on weaker materials like rush and palm. It wasn't until the 'Age of Exploration' in the 15th Century that a far more suitable material began to spread around the world.

By the 17th Century, wickerwork in Northern Europe increasingly began to resemble what we see today. Wicker was particularly popular for cribs, bassinets, and other such baby items. Over the next two centuries, rising trade with Asia brought rattan to the West. This brought Europe and America a new, stronger material for wickerwork and the desire for a tropical look and feel became more popular. The Victorians were particularly enamoured with this material, considering it exotic but just about civilised and refined enough for their tastes. Rattan furniture was then imported from Britain's colonies in the Far East during the late 19th and early 20th Centuries. It boomed considerably in America, with the Wakefield Company and Haywood Brothers & Company offering large-scale manufacture of rattan furniture. Our love affair with woven furnishings was in full swing.

Mid Century meets rattan

Pair of French Mid Century rattan armchairs.

Pair of French Mid Century rattan and wrought-iron armchairs.

Like other 70s trends, rattan has resurged with a vengeance in the 21st Century. We see its prevalence on the antiques and vintage market, but also in modern homeware and garden stores. Rattan use has varied greatly depending on periods and styles, proving its adaptability. We owe much to Mid Century designers for redefining the use of the material in design. In the late 40s and 50s, the world was still reeling from war and there was a desire for furnishings that reflected a more casual lifestyle.

Rattan was utilitarian, comfortable, and aesthetically pleasing. Suddenly, it was everywhere and it stood for stylish and understated sophistication. Designers and collectors realised that rattan, far from being dated, was actually very well-suited to modern life. Paul Frankl was one of the first major designers to experiment with the plant in modern design. Frankl used rattan for his sleek Art Deco designs, and it was a perfect complement to his ergonomic shapes.

In the later 20th Century, the likes of Gabriella Crespi proved that woven furniture could be both functional and glamorous. The iconic Italian designer drew her inspiration from the Far East and combined rattan and bamboo with everything from tubular steel to African red marble.

The 80s came and a demand for more high-tech design left rattan in the shadows again. But this certainly wouldn’t be the last time we saw it…

Styling wicker furniture

Wicker furniture is in the midst of another zenith, and this time it might just be here to stay. Indeed, following the latest hit BBC drama, The Serpent, searches for rattan furniture have surged along with other 1970s trends. As its popularity continues to endure, open-mindedness is key to styling rattan in your home.

Whenever wicker has fallen from favour, it has been unfairly associated with dated décor and clichéd garden furniture. But it is far from boring, and far from passé. On a practical level, rattan is breathable, comfortable, and easy to clean. But it is also a versatile visual treat. Woven furniture can be used in whole suites, or just use a couple of one-off pieces to bring texture and interest. Rattan is a natural partner for everything from dark wood, to bold modern light fittings, to polished brass. As a result, it looks at home in every room. Elegant wicker pieces are your trusty design saviour, whether you are looking for bathroom shelves or a drinks trolley for the home office.

There's also a presumption that rattan only suits a fresh white minimalist scheme. Not so; the natural patina of the wickerwork sings against punchy paint colours and vibrant accessories. It works wonderfully with bohemian or shabby chic styles, but there are also Mid Century examples that gave rattan a smart, sleek-lined facelift. From the sprawling country pile to the minimalist townhouse, a scattering of wicker is welcome in any style of interior. Of course, the qualities and look of wicker furniture make it well-suited to outdoor spaces too. Combine rattan with bright textiles in a conservatory or patio setting to welcome in the Spring.

To view our collection of rattan furniture and accessories, click here.

'Work from home.’ It’s the phrase that has defined the last ten months or so of our lives. Whether or not home has always been the natural habitat for your work, many have rushed to transform part of their house into a workspace. The Lorfords collection is full of unique pieces that will bring your dream Mid Century Modern home office to life.

The psychology of our interiorsJohn Guida fashion designs, lucite lamps, mid century furniture

Studies show that the more personal control we have over our office space, the happier we are. The ability to get creative with our workspace and have our favourite furnishings close at hand is a silver lining of the current circumstances.

One of the biggest challenges of staying at home has been drawing a line between work time and our personal lives. This gives you all the more reason to invest in your office space and create an environment you want to spend all day in, before returning to those parts of your home that you associate with relaxing.

Calm, uncluttered surroundings encourage efficiency and productivity. This can be difficult to achieve at home, but by dedicating a space for work you are halfway there, and Mid Century Modern design will do the rest.

It can be easy to feel as though you are ‘playing office’ whilst working from home, so it’s important to get creative with your space and invest in it. Stylish and useful furniture is conducive to your productivity, as well as your happiness.

A la modeMid Century side table, lucite magazine holder, chinoiserie chair

Media and popular culture have made Mid Century design an object of fascination. From the smooth teak and glass of the Mad Men office to the contemporary prints and low chairs of Miranda Priestley’s office in The Devil Wears Prada, the understated glamour of a Mid Century Modern office is well-known.

The post-war period was a new age of prosperity, and many migrated to urban and suburban areas. After the horrors of war, there was a desire for more human, organic and natural design. Inspiration was sought from America and Scandinavia, and designers eagerly embraced new materials like plywood and plastic. Manufacturers had machinery and mass production at their disposal, so luckily many fantastic pieces survive today.

Furnishing newly built homes and smaller living spaces saw design take on new priorities, and functionality was a top priority. Designers didn’t skimp on style, however, and the iconic designs they brought to life have timeless appeal.

Mid Century designersJapanned cupboard, Mid Century Modern, home office

Designers of the Mid Century Modern period wanted to make furniture accessible to everyone, not just the very wealthy. The contributors to this new democratic style were many, including Arne Jacobsen and Harry Bertoia. Ray and Charles Eames were the design power couple of their day, and it's their executive desk that graces Don Draper's office in Mad Men.

Far from dull, design in this period was full of juxtapositions. Designs were extremely varied, and you might struggle to spot what a marshmallow sofa and a teak sideboard have in common. However, there were certain principles that united these designers in their plight: fine craftsmanship, quality, and chic style.

The straight-lined silhouettes of Mid Century Modern furniture make it the perfect choice for an office. Manufacturers of the period, such as Herman Miller, focussed in on office furniture and produced desks, chairs, and savvy storage solutions. George Nelson was a key mover and shaker in Mid Century Modern design. His iconic Storagewall design captured attention far and wide and he is credited with designing the first L-Shaped desk.

Redefine 'office'Mid Century Modern, home office

There’s more to working life than a desk and a chair. Nobody wants to work amongst empty cups of tea and a teetering stack of paperwork, but many of us do. It may be a cliché, but it’s difficult to argue with the concept of ‘tidy desk, tidy mind.’

It's often unrealistic to reimagine a whole room of the home in one style, but a few key pieces will transform a space. Credenzas and sideboards were already furniture stalwarts, but they were revolutionised in this period. Fitting unobtrusively against the wall, they provide storage and a surface for display. Most importantly, a sideboard or low cabinet means you can keep stress-inducing clutter out of sight.

When it comes to designing an office space, the mood can tend towards the clinical. Mid Century Modern is the perfect antidote to monotony because designers reinterpreted basic furniture with innovation and creative flair. Designers made chairs that were lower and broader, often supported on splayed UFO-style legs. They made many office-style chairs, with reclining and swivel functions. You've got your pick when it comes to desk chairs and should indulge in a big upholstered armchair for when you need a break.

Lighting was the major triumph of Mid Century design, and designs are famous and sought-after today. From practical floor lamps to Sciolari's spectacular sputnik light, lighting is the ultimate flourish for a 20th Century home office. Maison Charles’ iconic palm standard lamps demonstrate how natural forms were embraced in this period, and they make a great statement in an office setting.

Punchy Mid Century modern accentsLucite magazine holder, Mid Century Modern, home office

20th Century design was far from solely utilitarian. Designs from this period were full of creative flair, and this should be reflected in a Mid Century Modern office. This was the heyday of faux tortoiseshell, glass, contrasting woods, bright colour, and abstract art. Adorn a brass and glass coffee table with a lucite magazine holder, or fabulous colourful glasswork by Val Saint Lambert.

There’s no point in working in a space that won’t inspire creativity and progress. Surround yourself with fabulous contemporary art and sculpture that makes you feel content and calm. Colour and character are key to boosting your mood in a long working day. This was an age of bold and pioneering design, and by surrounding yourself with examples of it you encourage the same in your work endeavours.

Whatever your personal style, there is something to love in this spectacular period of design. Mid Century Modern pieces have the power to transform a space into the perfect home office. For further inspiration, have a browse of our lookbook: Office Envy.

Does the 1970s deserve to be remembered as the decade taste forgot? Absolutely not, says antiques expert Chris Yeo. It was a time of bold experiments and high glamour.

There is, they say, nothing new in fashion. Is there anything new in design? Whatever your thoughts it can’t be denied that the lure of the past has always been a potent source of inspiration. The Romans took their style tips for everything from togas to temples from the Ancient Greeks, the Elizabethans got dewy eyed over the Middle Ages and the Victorians were besotted by anything Medieval (apart from Chaucer, who was far too dirty for them). Not much has changed except that, latterly, we have tended to take a leaf from the more recent pages of style’s back catalogue. Anyone who was around in the 1970s will remember that the 1950s held a powerful draw and now it’s the turn of the ‘70s itself to be the focus of our rose-tinted spectacles. Ah, the Seventies. They called it the decade taste forgot. Of course, “they” were the 1980s, which, if we’re talking taste, is nothing short of the pot calling the kettle black. But now the decade that brought us Abba, the hostess trolley and the three-day week is being mined by a new generation of tastemakers. Fashion has been nostalgic for the 1970s for the last few seasons, with tinted sunglasses, long floral dresses and straw handbags omnipresent on the high street and catwalks alike. However, when it comes to interior design, it’s been a different story. For years, the very mention of the word ‘Seventies’ was enough to strike fear and loathing into otherwise reasonable, aesthetically broad-minded people and it seems old prejudices die hard. Style pundits from Wallpaper magazine recently collated a shortlist of the most egregious design faux pas of the past half-a-century and guess which decade came top? But look beyond the avocado bathroom suites and macramé plant pot holders and a different picture soon emerges.

In the 1970s, interior design reached a level of exuberance that has never since been equalled. The decade centred around bold patterns and textures, strong colour schemes, and a playful approach to the adaptation of space. The austere 1950s had picked up on straight-lined 1930s modernism and run with it; the radical social changes of the 1960s threw familiar aesthetics up in the air and dropped them back to earth in a psychedelic explosion and, as the mid-century slid into the 1970s, a bold new design era settled in. The great titans of 20th century design – Mies, Marcel and Arne– hung up their pencils and went into retirement leaving the playing field clear for a new generation of designers with fresh ideas. Decorating, too, shook off its formalism, mixing patterns, time periods, materials, and colours in fresh, exciting and occasionally shocking ways. And in the decade that taste apparently forgot, certain design groups were aiming to overthrow the idea of “good taste” altogether. The so-called radical design groups such as Archizoom, formed in Italy at the turn of the new decade, were up for creating playful and provocative furniture and lighting which became the building blocks for Post-Modernism in the 1980s. 
The Seventies was a study in contrasts and contradiction: austerity and decadence, muddy earth tones and eye-popping colours. Trends that began life in the hippy communes of Haight-Ashbury grew-up, got a haircut and went mainstream. Italian designers schmoozed the world with their take on high-tech, high gloss futurism and, all over the world – from Studio 54 to Abigail’s Party – a mood of defiant decadence reigned supreme. As David Netto in The New York Times memorably put it:“The 70s were sensual and decadent. People were unafraid to take risks. The furniture was made for hanging out, lounging or sex — activities infinitely more tempting than what was going on in the places where post-war design made its mark. Imagine trying to make out on a Barcelona Chair."

Decadence and glamour were the twin beats that throbbed throughout a decade that was bookmarked by Bowie at its beginning and Grace Jones at its end – oh, be still my beating heart! They were the torch bearers of the new mood that thrived in a world filled with the harsh realities of economic uncertainties and political strife. In a decade that saw two miners’ strikes, countless I.R.A. bombing campaigns, runaway inflation and powdered orange juice, what to do but loose yourself in a whirlwind of hedonism? A mood of defiant decadence was abroad, whether it was glam rockers “gender bending” – as contemporary parlance had it – on Top of the Pops or Bianca Jagger riding into studio 54 on the back of a white stallion (because, let’s face it, how else do you let people know it’s your birthday?) In London the mood was encapsulated, branded and retailed to perfection at Big Biba, opened on Kensington High Street in 1973. Biba had started life as mail order fashion outfit but over just a few years had come to dominate the UK fashion scene. Big Biba was the firms last great shout before bankruptcy in 1975 brought an end to its reign of fabulousness. Housed in Art Deco splendour at the former Barker’s department store, complete with live flamingos on the roof garden, Big Biba offered an interior vision that took elements of Hollywood’s Golden Age and mixed it louche colours, peacock feathers and peacock chairs, crushed velvets and Art Nouveau prints. It was bold, daring and worked perfectly a world jointly ruled by Marc Bolan and Pan’s People (ask your parents).

At the same time as Biba was refashioning homes in the UK, Willy Rizzo (1928-2013) was introducing a chic – not to say disco – sensibility into furniture design. Rizzo had started his career as a fashion photographer but, at the suggestion of his friends and clients – the great and the good of fashion and film, he took a sideways step into furniture design. He was soon swamped with orders and requests. Rizzo designed and produced more than thirty pieces of furniture: sofas, consoles, hi-fi furniture, coffee tables and lighting, all of which were handmade. Rizzo’s world is one where coffee tables rotate like a vinyl disc on a turntable and then open up to reveal an integrated ice bucket – perfect for those pre or post-club Campari. He opened boutiques across France and Europe and had points of sale in New York City, Miami and Los Angeles. However, in 1978, Rizzo gave it all up to return to photography, his first love. Rizzo’s furniture design channelled the sophistication of Mies van der Rohe and Le Corbusier, his pieces combining clean, simple lines with bold geometric forms and a delicate handling of materials. The result is classic modernism and very chic.

Willy Rizzo operated at the glamourous end of the sleek International style, a movement which took basic Form Follows Function Modernism and added a sheen of Jet Set sophistication. Luxury was the watchword and materials like rosewood, bronze and chrome were in. The interior design world’s new face could, in a way, be summed up in a single word: plastics. Technological advances had begun to create more flexible varieties that could be moulded into striking, sensual forms—strong but weightless, often without any hard edges. Designers revelled in the creative possibilities offered by new materials, especially plastics, which could be coloured boldly, mass-produced and, therefore, enjoyed by a wide audience. Lucite was the brand name for a clear acrylic plastic resembling glass or rock crystal, which really took off in the ‘70s. This lightweight material was easy to mould and carve and was an instant hit for everything from costume jewellery to furniture and, of course, lighting. Lucite gives an instant hit of space age glamour, as intoxicating now as it ever was.And it seems you can’t keep a good decade down. These days the once maligned ‘70s are bang on-trend, with designers, architects and style savvy buyers all eagerly embracing the decade’s bold and brash personality, from Tom Dixon’s gloriously retro copper globe pendants to a renewed love for houseplants, via bold, clashing patterns and old-school gold accessories. That the decade should be ripe for plundering for inspiration should come as no surprise the question is how could it take so long to happen?

We’ve included a few iconic items within this blog but please browse our website for many more incredibly cool 1970’s pieces.
Images: Lorfords own & Willy Rizzo