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When the mercury hit 40 back in July, many of us wished our homes were better equipped to deal with extreme heat. While we can’t transform a country cottage or London townhouse into a Provençal chateau overnight, we can still learn some design lessons from Mediterranean interiors.

‘Mediterranean design’ can be difficult to pin down - in part because this style actually borrows from all over the world. And yet certain features make it instantly recognisable, like swathes of natural light, a heady mix of natural materials, and a total embrace of the surrounding landscape.

A common misconception is that it means whitewashed. While you will see plenty of white both inside and out of Mediterranean properties, the true essence of the approach is rooted in colour - a palette inspired by the natural world surrounding the property.

Mediterranean interiors are laid-back yet considered. They're rooted in nature yet they feel contemporary. Below, we discuss a few ways you can bring this look into your own home - whatever the season.

Preparing your canvas

Some are lucky enough to inherit a Mediterranean feel when they move into a property. Ever since the years of the ‘Grand Tour’, British architects have looked beyond our island confines for property inspiration. Archways connecting indoor and outdoor spaces, or courtyard gardens stemming seamlessly from bedrooms or living spaces, provide a natural starting point for Mediterranean-inspired living. It's not all luck of the draw, though, and you can lean into this style through renovating or just decorating.

Mediterranean design relies on organic textures, and this starts at the base level of a space. For example, raw plastered walls, stone flooring and plenty of tiles naturally create a villa feel. Sometimes this is in cool, neutral tones, but not always. Indeed, anyone who visited Portugal this summer will have seen plenty of ‘azujelos’; their iconic royal blue and saffron yellow patterned tiles. Terracotta, too, is at the heart of the Mediterranean look, with its warm earthy tones exuding depth and character.

Terracotta flooring instantly bestows rustic chic on a property, while marble floor and wall tiles bring timeless palatial luxury. However, like with any design device, you can go big or small. Use decorative tiles to create a statement washbasin splashback or to surround a garden fountain or statue, and get your terracotta fix from indoor and outdoor planters.

Throughout the Cotswolds, you’ll often spot sage green shutters in the windows of traditional stone houses. These serve the practical purposes of keeping onlookers and the weather out, but shutters are also synonymous with Mediterranean style. Look to these as a simple way to transform the feel of your home without making any major changes.

Tactile textures

As we’ve already mentioned, texture is the crux of Mediterranean design. It relies on natural materials to bring a living, evolving feel to indoor spaces.

Timber is a key ingredient in this, and the more rustic the better. Natural wood brings much-needed warmth to Mediterranean interiors, especially where you do have an abundance of white or neutral shades. Think live edge dining tables and driftwood sculpture, complete with every knot, burl and medallion that speak to their long life. 

Similarly, rattan has always brought a sense of warmer shores to our homes. This versatile, strong material is synonymous with laid-back living, whether it's used for a chair or just a lampshade. Rattan and wicker offer a ready canvas for soft furnishings, providing just enough structure while imbuing a space with a welcoming feel. 

On that note, linen is your go-to material for softening such a space. The flax plant is native to the eastern Mediterranean, and creates a fabric that’s at once soft and textured - characterised by its raised slubs and flecks. Use a sheer linen for drapes that let dappled light in, or stronger blends for bedding or scatter cushion covers.

Relics of land and sea

The eclectic range of antiques that survive from this corner of the world testify to its diverse history. From furniture to objets d’art, these relics infuse our homes with character and intrigue.

Vernacular Spanish timber tables and benches with heavy, simple joinery ground interiors with their primitive aesthetic and sense of craft. Italian and French armoires, complete with remains of old paint, bring relaxed, farmhouse charm to a bedroom. You can also nod to this style with smaller decorative pieces, like French confit pots with their dripping glaze frozen in time.

Lighting is key to keeping Mediterranean interiors cosy and welcoming in dark winter months. Look to weighty cast iron candelabras and towering candlesticks for magical, atmospheric lighting. For more practical task lighting, choose gilded sconces or table lamps crafted from marble, travertine or ceramic.

We’re fortunate to have a host of sunburst mirrors brightening up our showrooms at the moment. Most originate from Spain or France, and some are by Chaty Vallauris - the Provence-based design house that made the sunburst their iconic legacy. These statement mirrors, with their mesmerising rays and glittering gold leaf, guarantee sunshine on even the bleakest midwinter day.

The Mediterranean embrace of the natural world extends to art and ornaments, too. From giant ammonite fossils to conch shells that whisper of the sea, nature’s sculptures bring a sense of the scale and history of our earth into our homes. They remind us of past travels and encounters and evoke the curiosity of our visitors.

The Mediterranean garden

When we think of the Mediterranean, the natural landscape is often the first thing that comes to mind - and not just the sea. From the vivid trails of Bourgainvillia that line Grecian streets, to French fields of lavender, each corner of the Mediterranean has its own chorus of mesmerising flora.

Mediterranean Sea Holly grows wild in this and other parts of the world, but you will also find the spiny plant in some British gardens. Recognisable for its blue, green and violet colours, this herbaceous perennial is as eye-catching as it is low-maintenance.

Olive and bay laurel trees are other staples of Mediterranean gardening, as are citrus trees - although these are better suited to an orangery during the British winter. Watching fruit grow from a mere seed is a rewarding antidote to seemingly endless grey days.

In the kitchen, keep rosemary, sage, or tarragon plants on your windowsill. If they don't spark culinary inspiration, they'll at least waft the scent of the Med your way. 

Give your flowers and foliage a fitting home with bold planters. Whether you're drawn to classical stone urns or dramatic metal jardinières, the Mediterranean has plenty to offer in this area, too.

Soft touch

Some of us long for the warmth of a Mediterranean summer all year round, but British reality is… well, quite different.

While this style may feel more instinctive in the summer months, it's actually accommodating of all seasons. The trick is textiles - of every kind, in every room. These form a crucial layer in the make-up of any space, but especially in Mediterranean interiors.

Rugs and runners offer welcome respite from cool stone flooring, while window dressings will soften stone or tiled walls. Contrast is key for keeping your surroundings stimulating as well as comfortable; the coarse texture of a hemp rug softened by woollen throws or sheepskin, for instance.

Textiles offer an opportunity to satisfy our cravings for colour on grey days. The Mediterranean basin was once a vibrant trading ground for pigments, and these original colours offer a springboard for decorating. Blend jewel-like indigo blues and malachite greens with earthier tones of ochre and madder red to evoke Mediterranean interiors. 

It can be hard to know where to begin when it comes to such a ubiquitous design style. Browse our lookbook to inspire your own Mediterranean journey. 

 

Having been immersed in the intriguing world of luxury rugs and carpets from a young age, it is no surprise to find Peter Page open his first eponymous studio. Peter's experience and forward-thinking have positioned him as the designers' choice for both advice and beautiful bespoke solutions. We caught up with him amongst his personally curated selection of rugs and samples as he was recovering from a very successful opening...

You recently opened your studio in April at London’s Chelsea Wharf, how did that go?

It’s been great. We had a soft opening and it’s had a lovely response. It’s been a wonderful encouragement and the clients we have spoken to have been really excited that we are back. Jo, my colleague I worked with at Tim Page Carpets, has come with me and we make a great team. We have different strengths and particular skillsets, especially within the sourcing and making process. It’s been a very exciting time.

Your inaugural collection has been designed by Turner Pocock. That’s a great collaboration, how did it come about?

By mistake really! I’ve worked with Bunny on numerous projects, she came in and we were talking about her various projects. We started talking about her home and then veered off onto other topics. So we ended up going through some initial ideas, going through samples, and identifying what they like and what we could create. They like a Moroccan-style rug, with an antique look and feel to it.

Was the aim of this collection to fill an antiques style whilst also working with contemporary living?

The key consideration for us all was having the flexibility of size. The difficulty with buying antique rugs is that you don’t know what size you can get. Often, Turner Pocock like to have a rug big enough to put the furniture on top, and often rugs come in sizes that are too small for that. So we absolutely loved the antique designs, whilst ensuring that we could create options that would fit within the designer's schemes.

Interior clients often have varied aesthetic preferences, do you offer bespoke options with different designs and/or colours?

The idea is that this collection keeps it simple. Of course, with everything we do, we are happy to chop and change. One interior designer client we have would like to change the material from jute into wool as they know their client wants something slightly softer and easier to clean. From a retail perspective, keeping it simple to the collection we have created means that clients can purchase their own Turner Pocock and Peter Page piece. It has been hand-woven and hand-crafted so the pieces are still all individually unique.

Your love for the tradition of weaving has been a life-long passion. (Peter’s father, Tim Page, launched Tim Page Carpets in 2003). Tell me a little about the art of rug making and why it has become such a passion of yours?

It happened by osmosis. As a child, I used to iron labels onto samples for my father’s shop in Sloane Square at that time. You pick up an awful lot by people talking around you. He used to have people who hand-painted the rugs in the office so it was an extraordinary place to be. I went to work in New York and ended up working in carpets, and that’s when I realised that I had picked up this knowledge and interest since childhood. I still, to this day, cannot believe how skilled and clever these people are who craft the rugs, they are following design graphs in front of them. It is a skilled craft and I am in awe of it all.

Where do your team of weavers and rug makers herald from?

We weave in India and a couple of other different areas depending on what we’re making. It depends on the project and lead times. I have found that different places can produce different end products. For example, people wash the yarn differently and clip it to create different textures. I find it all really fascinating. So much goes into each rug, trying to replicate certain colours. When yarn is washed and left in the sun to dry, it changes and brings out its lustre. If there is no sun, it is a different quality of project. This is why India is the perfect location! But if it’s a rainy period, then you have different problems! It’s fascinating how such small things can affect a project. You don’t get the same lustre to the yarn if they are dried in indoor drying rooms.

There is such a connection to the natural world, even in rug weaving. Is this what makes your rugs stand apart?

Yes, it is wonderful to see how little changes to anything – from washing to spinning, to drying, can affect a rug. It is interesting to see how all these small changes make each rug unique. Everything is a one-off piece and there is a charm to this.

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Click here to read more L-Shaped interviews or click here to visit Peter's website.

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As we chat with interior designer Alice Leigh, she is fresh from completing a countryside project that perfectly matched her ethos and allowed her to enjoy every moment. A project full of handcrafted pieces is one that excites her. And a delicious mix of old and new, contemporary and antique is what stands out within Alice’s style. She has an eye for natural materials, bold shapes and local craftsmanship.

A huge fan of British crafts, Alice is a keen supporter of local talent. “I think the more we can support homegrown craft, the better.  I’ve noticed a big movement in this direction, especially with Brexit, closely followed by the pandemic. Imports have become trickier over the last few years.  Now is as good a time as any to be supporting our homegrown talent.”

Her considered designs are undisputed. So we wanted to know what makes Alice tick. A long soak, as it turns out, and a bronze sculpture she tracked down on her honeymoon. Read on...

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The last thing I bought and loved was a framed textile by the Marrakesh lifestyle company Lrance. I love finding new and interesting pieces, mixing and matching, commissioning special pieces too.  Getting to know the artist makes the process so much more meaningful.

The place that means a lot to me is where I grew up in North Wales.

The best souvenir I’ve brought home is a bronze sculpture from our honeymoon in Mauritius - they were sitting on tables in the restaurant and we tracked down the local artist.

The best books I’ve read in the past year are the Paper Palace by Miranda Cowley Heller and ‘If in doubt wash your hair’ by Anya Hindmarch - a brilliant guide to juggling work and family life!

The podcast I’m listening to is My Life in Seven Charms by Annoushka Ducas. Annoushka is a jeweller and in the podcast she talks to inspiring women about collecting charms. She explores their unique ability to evoke memory and meaning.

In my fridge, you’ll always find chutney - it goes on everything!

Some of my best ideas have come while I’m in the bath. My bathroom is my favourite room in my house – I take baths very seriously!

The thing I couldn’t do without is my ear pods – and much to my children’s amusement, I lose them on a daily basis!

The moment that changed everything for me was getting my first job in Design with Lavinia Dargie (Dargie Lewis Designs) and staying for 10 years.

An indulgence I would never forgo is a good coat to hide a multitude of sins underneath, especially in a hurry on a school run.

The last piece of clothing I added to my wardrobe was a beautiful linen dress from Wiggy Kit.

My favourite building is Somerset House in London.

I am excited to see more earthy terracotta colours and natural hues being used in design projects. They can look really wonderful in limewashed paint finishes.  The company Bauwerk specialises in these natural limewashed finishes, which react with the air on application to create wonderful matt, stone-like results which look amazing.

I am inspired by the V&A! I find it jam-packed with inspiration. I’m also lucky to live close to the Design Centre at Chelsea Harbour and they have a fantastic programme called ‘Conversation in Design’ where I always pick up top tips. Living in London, I get very inspired from just walking amongst old buildings that have a foot in the past and the future.  I love to see how decorative details stand the test of time and how modern craftsmanship can continue that story.

My favourite Lorfords Antiques piece is currently a Swedish Flatweave Rug by Ingegerd Silow. I love a mid-century Swedish flatweave rug - their patterns and colours are always so adaptable to many a room.

I keep coming back to the Lorfords Contemporary Elmstead Sofa. I am a huge fan of it, I love their style and comfort. I recently placed two of these in a reception room of a very elegant stucco-fronted London Townhouse and covered them in a lovely teal wool from Tissus D'Helene.  

Alice Leigh Design | L-Shaped | Lorfords Antiques

(The Elmstead Sofa from Lorfords Contemporary. Alice Leigh Design. Image by Rachel Smith)

One of my favourite sustainable materials is rattan. It's hugely sustainable and there are a few wonderful suppliers championing the craft in the UK.  It works well in both traditional and contemporary projects adding both character and timelessness to a room. One of my absolute rules is to include antique and salvaged items that are not only sustainable, they add a sense of authenticity to a project.

An indulgence I would never forgo is a good coat to hide a multitude of sins underneath, especially in a hurry on a school run.

The best advice I’ve ever received is don’t sweat the small stuff.

(Alice Leigh Design | Images: Jonathan Bond)

For more information on Alice Leigh, please visit her website.

To read more interior design articles, please see our interview with Sims Hilditch here.

Most of us have the desire to ‘do our bit’, to have as little an impact on the earth and its natural resources as possible. Ideally, we would like to be eco-conscious without overly compromising on our own lifestyles.  Sustainability in all its forms, has made its way into all our lives and here at Lorfords, we are very much here for it.

From eco-conscious design and furnishings, to hand-crafted, cosy and comforting, sustainability has been singled out as a trend for 2022. But hopefully in the not too distant future, it won’t just be a trend. Sustainability will become integrated into all the interior design decisions we make. From using pre-love antiques, through to choosing ethically and sustainably made furnishings, there is more of a focus on the materials we use that the brands we shop from.

Natural Materials

Incorporating sustainable elements to your interior is relatively easy to achieve. And for the bonus? You will get that feel-good factor too. Natural materials produce much fewer toxins during their production. That’s why you’ll be helping our planet if you decide to decorate with sustainable, natural materials. As well as the eco-friendly credentials, you’ll instantly achieve that soothing, natural feel in your home once you implement more natural colours and materials. Look for handwoven, natural rugs. Shop for recycled fabric cushion covers, not only will they be good for the environment, but they will also look wonderful in your home.

Eco-Minded Interior Designers

Eco-conscious interior design isn’t just a temporary trend, it is here to stay. Using the services of an interior designer who truly understands the benefits of sustainable design, and who carefully select their manufacturers is an important step.

“I like the challenge of introducing considered, sustainable pieces of furniture and accessories and taking the time to appreciate the maker or its lineage” says interior designer Alice Leigh.

Edward Bulmer says “For my work I have always sought to use native timber, traditional construction and the minimum of sheet material. But it is hard for cabinet makers to compete against producers who don’t do this because they can ‘outsource’ the polluting and exploitative effects of waste, poor labour conditions and manmade materials to offer us ‘cheap’ prices. We are all culpable here! Recycling, repurposing, upcycling, antique collecting, bespoke commissioning would be the stuff of a bright future for interior design.” (To read more from Edward Bulmer, click here).

Low-impact textiles and materials

A great way to create a natural, sustainable interior is to opt for items made from non-toxic, renewable and natural materials, such as bamboo, compressed earth, cork, wood, or recycled metals. Textiles such as hemp, wool, linen, and recycled cotton can make your home a beautiful and sustainable place to be.

Repurpose, recycle, upcycle

There are multiple ways to reuse or reclaim furniture for a more sustainable interior. Every interior yearns for a little transformation from time to time, remember moving around the furniture in your childhood bedroom to get that wonderful ‘brand new’ feeling? Antiques are the original recycle products, very much on trend and each adds a distinct look and feel to a room. To see our collection of new arrivals here at Lorfords, please click here.

Energy-efficient lighting

Another interior trend this year is a focus on lighting and in particular, on well-lit areas. Having bright lighting is invaluable. Having eco-friendly lighting will offer great illumination, whilst also being gentle on the environment. Go for LEDs or composite fluorescent bulbs to maximise the effects of lights. They offer great value for money and will last longer, while using very little energy. Consider making the most of natural light – skylights look lovely and will brighten up the interior of any house.

And finally...

To improve the air quality in your home, add indoor plants to your interiors. Not only are they beautiful and calming, but they have health benefits too.

It’s that time of year again, the leaves turn, the nights draw in, the fires are lit… and we are accosted by the Danish concept of Hygge once again! So, is this a marketing gimmick or a great life choice? And, after the last 18 months of global challenges, how do we achieve this balance of comfort, cosiness and calm in our homes?

That’s all very well, but isn’t this so 2016?

As a buzzword for cheap hot drinks and fluffy nylon blankets, I hope so. But there’s more to the idea than cheesy images. It has certainly been an interesting couple of years with Covid, Brexit and the Capitol riots just to pick the headliners! After all this, the thought of cosiness, simple pleasures and kindness look a whole load sexier than they did in 2016… and it was a hot topic then! The Danes will confirm that Hygge is a soulful sense of well-being that is gained from the simple things in life and has nothing to do with selling hot drinks and modern Scandi furniture… so it feels even more on-trend than before.

How does that relate to an interior?

This is where it gets personal! Most people can grasp candlelight or a snowy walk along the beach as hygge-filled. But for our homes to be cosy places that bolster a sense of well-being they must be our nests… and my nest can be a very different place to yours! The Danes undoubtedly share an aesthetic that resists clutter and focuses on airy spaces filled with natural materials and often raw finishes. It looks great in books… but for me, I’d be much more at home in a Bedouin tent filled with colour, pattern and soft fabrics. We can create interiors that resist the march of technology and give us a sense of calm and togetherness without compromising on taste and personality.

So Clutter can be Hygge?

I’m going out on a limb here and saying ‘Yes’. Personally, I’d be angst-ridden sitting in a perfectly tidy space with no clutter, dog toys and stuff. I’d perch on the edge of a plank of raw wood and wish for a messy pile of cushions to clamber into. A pile of muddy wellies kicked off outside the kitchen door is so much more Hygge than their summer incarnation… washed and neatly lined up in the boot room! So clutter or clean, an interior is whatever you need it to be to feel at peace.

After all this, you’ve got a classic Scandi photoshoot this month…

Like I said… it’s all personal. Traditional Danish hygge is clean, chic and spacious. I love the use of wool, sheepskin and bare timber to create a raw and stylish aesthetic that pairs beautifully with autumn and winter views out of the window. Alice, our shoot stylist, has put together a stunning Danish traditional take on it that mixes perfectly the strength of dark woods with light space and delicate accents.

To shop the shoot, visit our lookbook 'Raw Comfort'.

Laura Muthesius and Nora Eisermann of Design Tales are inspired by nature. The Berlin duo shares their home and gives you their five top tips to create your very own Scandinavian interior.

Laura and Nora's five top tips

  • Use natural materials like wood, linen, stone and marble instead of plastic and polyester. We love the use of linen curtains, bed linens, wool and linen pillows or sofa covers, wooden furniture and of course, marble side tables!
  • Mix different materials in a way that create a vivid tension between different furniture items.
  • Use a natural colour palette. Using natural paint such as chalk paint gives a calm but lively look and atmosphere which helps to create a relaxing environment but highlights the architecture.
  • Respect the original details of your home, in fact, don't just respect them, save and highlight them! Not everything has to be perfectly new, it adds more charm and character if it's not.
  • Cherish the craftsmanship. Quality over quantity, invest in handmade, good quality pieces instead of going with every trend. Scandinavian designs are often classics making them timeless and a great investment!

About Design Tales

With homes in Skåne and Berlin, Laura and Nora love to travel! Nora studied fashion design but is now working as a (food-)stylist, and Laura studied photography and currently working as a photographer. The duo shares their passion for food, good design and interiors over on their website and on their Instagram.

Inside the home of Design Tales

Some names are rightfully revered in our industry, and Eleanor Coade is certainly one of them. The legacy of Coade stone is a just reflection of the impressive lady at the helm of the business.

Entrepreuner, inventor, and philanthropist

Eleanor Coade (1733-1821) was the daughter of a wool merchant. Born in Exeter, the family later moved to London in the mid-1760s and Eleanor set up shop selling linen. This experience nurtured her entrepreneurial spirit, and around 1769 she bought the premises of a struggling business that was making artificial stone. These premises, in Lambeth in London, laid the foundations for Eleanor to start making her own artificial stone.

We cannot underestimate the achievements of Mrs Eleanor Coade. Her factory operated successfully for 50 years and went from strength to strength, with Eleanor acting as direct manager from 1771. The Georgian period certainly didn't champion female business leaders, let alone in the manufacture of artificial stone. From 1799, for a period of fourteen years, Eleanor was in partnership with John Sealy. Pieces from this period are stamped 'Coade Sealy' rather than 'Coade Lambeth.' Otherwise, Eleanor oversaw every element of the business up until her death in 1821.

Eleanor Coade never married, but 'Mrs' was the courtesy title for single women in Georgian England. She spent much of her later life engaged in philanthropy and was particularly keen to help women in need. She left a few bequests to women in her will, which stipulate that the funds remain untouched by their husbands.

Coade's recipe for success

Coade stone ornamentation on the beautiful Georgian-style buildings on Bedford Square in London.

Coade stone ornamentation on the beautiful Georgian-style buildings on Bedford Square in London.

Coade did not invent artificial stone, but they were enormously successful in producing it. Eleanor's triumph came from her desire to make something that closely resembled the original in every respect. Nobody could fully decipher this recipe until the 1990s, when it was rediscovered and successfully reproduced. Coade stone was a ceramic that combined terracotta, clay, silicates, and glass. This mixture was fired for four days at a time in incredibly hot kilns. Eleanor's own name for her product was 'lythodipyra'- twice-fired stone.

The result was something malleable enough for detailed sculpture and ornamentation, but also incredibly tough. During firing the stone had a very low shrinkage rate and hardly any distortion occurred, so the results were very fine. It was also resilient against the harsh winters of Northern Europe, and dispelled the effects of frost and freezing weather. Because it was fired, it was possible to incorporate high levels of detail into the pieces. Unlike terracotta, which has a matte finish, Coade stone has a slight shine which makes it more damp-resistant. It also had the perfect colour for emulating stone, with the grey shades making it almost indistinguishable from limestone.

Fortunately for the company and clientele, the arrival of Coade stone coincided with changing tastes in architecture. In the second half of the 18th Century, the likes of Robert Adam were looking to add more and more detail to architectural ornaments. Coade answered his prayers, as this new artificial stone was much easier to manipulate than real stone. Indeed, amongst Coade's other reliable clients were Sir John Soane, James Wyatt, and Sir John Nash.

The Coade legacy

Lion made from Coade stone on Westminster Bridge, London.

Lion statue made from Coade Stone, which is located on the Southern end of Westminster Bridge in London.

Leading up to her death, Eleanor handed over to a distant relation- William Croggan. The company continued to operate up until 1840 when they sold their moulds. Coade stone was enormously popular in the 18th and 19th Centuries and has endured well because of its winning formula. Later on, as Coade's secrets became public, manufacturers and individuals rushed to reproduce the stone. However, these attributes are also Coade's downfall when it comes to identification. Coade sculptures can look like anything from granite to marble, and this chameleon quality means many evade classification.

Nonetheless, some pieces are unmistakable. Coade's lasting bequests are visible at Stowe, Chiswick House, Anglesey Abbey, and many other great houses. Their offering was wide, thanks to the versatility of the material, and the Coade legacy is embodied in everything from statuary to garden furniture.

You will see several Coade sculptures at Chiswick House, including replicas of the Medici and Borghese vases. The large lion statue found near the Houses of Parliament on Westminster Bridge is a Coade creation. The lion's animated face is a testament to the malleability of Coade stone, and his survival of World War Two is a testament to its durability. William Woodington of Coade made three of these lions. One of the triplets has disappeared and the other, opulently gilded in 1991, now fittingly resides at Twickenham.

We increasingly recognise the true extent of Mrs Coade's achievements today. Her work revolutionised statuary and sculpture production, and the pristine results will hopefully pepper the British landscape for centuries to come.

Feeling inspired? Read our guide to garden antiques here.